1. Explain how the “other” is constructed in the Mami Wata cult or by the Kongo or Sapi. Provide a specific example where visual culture is used in this construction.
2. What do the two essays have in common? What strategies for interculturation or encountering difference seem to be shared by African peoples from each time period considered by the authors, respectively? In other words, how do both essays explain African receptivity to difference/new things? Provide specific examples where appropriate.
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